
I trace the ink, still wet,
as shadows stretch like hungry hands
across the scrolls.
The air hums with the breath of a thousand voices,
each syllable a spark,
each word a world.
The shelves groan,
not with age, but with the weight of forgotten dawns:
Homer’s wine-dark seas,
Euclid’s perfect lines,
the whispered names of gods
who no longer answer.
Dust settles on my fingers,
fine as the ash that will come.
I smell it already,
the bitter tang of burning reed,
the vanishing thought.
They say fire purifies.
But what of the silence it leaves?
A child once asked me,
How do you hold the sky?
I showed her the atlas,
its edges frayed,
its stars still bright.
Now, I press my palm to the parchment,
as if flesh could shield
what flame will claim.
Outside, the mob shouts.
Inside, the ink runs like tears.
I write my name in the margin,
not for memory,
but to say:
We were here.
We knew.
We tried.
I studied the Hellenistic period at school and fell in love with its contradictions: the way Alexandria was both Greek and Egyptian, both a beacon of enlightenment and a pawn in political games. The library wasn’t just a building to me; it was a dream of permanence in an impermanent world. The scribe in the poem is undoubtedly me, in another time, clutching at the same fear: What if everything we’ve built, everything we’ve loved, can be erased in an afternoon?
About the Creator
Diane Foster
I’m a professional writer, proofreader, and all-round online entrepreneur, UK. I’m married to a rock star who had his long-awaited liver transplant in August 2025.
When not working, you’ll find me with a glass of wine, immersed in poetry.


Comments (2)
What a fantastic entry, Diane! "What if everything we’ve built, everything we’ve loved, can be erased in an afternoon?" This is a great sentence to end the poem, so much food for thought here.
Some great thoughts here